The metronome is a tool used to measure time in music and rhythm.
Why online metronome?
In our days, when majority of people have a tablet or smartphones, is easy to access metronome site and even is nothing to have with you. With online metronome, you can play music or sing corectly even on a mountain or beach, or you can hide yourself to learn some music instruments.
Online Metronome is used as a tool for measuring speed of musical time, and especially as an aid to the study of a piece of music, allowing the musician to be supported by a online steady beat, which helps to avoid speed up or slow down.
Why you need a metronome?
If you are a musician or a singer or composer, you must to have a metronome. Metronome will help you to keep rihtm and speed of songs and you will have a good song cadence.
The numbers of beats per minutes or “tempo” commonly used range from 40 to 208 according to a customary scale that includes only some particular values, allowing a rhythmic differentiation between the degrees of the scale sufficiently appreciable. Online Metronome, allow the use of any numeric value, just enter your tempo, hit the “start” and learn to sing a song:
Metronome tempo markings:
The metronome marks are broad approximations. Metronome markings are a guide only and depending on the time signature and the piece itself. Also, in longer pieces such as symphony movements, the tempo marking used by the composer for the movement does not have to be adhered to strictly throughout the movement; individual interpreters may vary the tempo at times, at their discretion.
Larghissimo – very, very slow (19 BPM and under)
Grave – slow and solemn (20–40 BPM)
Lento – slowly (40–45 BPM)
Largo – broadly (45–50 BPM)
Larghetto – rather broadly (50–55 BPM)
Adagio – slow and stately (literally, “at ease”) (55–65 BPM)
Adagietto – rather slow (65–69 BPM)
Andante moderato – a bit slower than andante (69–72 BPM)
Andante – at a walking pace (73–77 BPM)
Andantino – slightly faster than andante (although in some cases it can be taken to mean slightly slower than andante) (78–83 BPM)
Marcia moderato – moderately, in the manner of a march (83–85 BPM)
Moderato – moderately (86–97 BPM)
Accelerando – gradually accelerating
Allegretto – moderately fast (98–109 BPM)
Allegro – fast, quickly and bright (109–132 BPM)
Vivace – lively and fast (132–140 BPM)
Vivacissimo – very fast and lively (140–150 BPM)
Allegrissimo – very fast (150–167 BPM)
Presto – very fast (168–177 BPM)
Prestissimo – extremely fast (178 BPM and over)
History of Metronome
The word appears for the first time in 1815 and is created by Johann Nepomuk Mälzel by the union of two Greek words: metron = measure + nomos = rule.
The possibility of entering the execution speed of a song referring to the parameters sufficiently precise and replicable has always been a vital necessity for the musician by the advent of mensural music. Metronome help very much in music leaning with its contact ticking of rhythm, helping to respect partitur tempo.
The first use, even if only from a theoretical viewpoint, the pendulum is with Thomas Mace. A further refinement on a practical level was conducted in 1696 by Étienne Loulié, who developed the first metronome graduated, called Stopwatch Loulié, consisting of a weight attached to a wire that produced the beats dumb. This model was, in turn, reworked in its final form in double pendulum by the watchmaker Dietrich Nikolaus Winkel in Amsterdam, which is considered to be the true inventor of the modern metronome.
Ludwig van Beethoven was the first composer who used the metronome in the indication of time for their work (and then only in 25 compositions of over 400 musical works compounds). The indications Beethoven are, however, highly controversial, and he himself brought numerous and drastic changes to their own requirements, such disputes may perhaps be explained by the fact that the first metronomes had graduated the bar far from the plate where the numbers were written, Therefore, if the number was read while sitting at the piano or being read while standing, the corresponding value could be extremely different.
The use of the metronome becomes very useful also in the teaching of the instrument; rapid passage is studied from a slower tempo, and then it increases by a notch at a time up to the time of execution; especially in romantic music, all full of arbitrary changes of time to study a passage strictly to time to ensure the correctness of internal rhythm becomes an important element of the study.
The use of the metronome in practice in the teaching of composition and music has always been subject to much criticism, whose motivations are very different and personal, difficult to synthesize in shared types. Among the best-known composers to criticize the use of the metronome remember Felix Mendelssohn, Richard Wagner, Giuseppe Verdi and Johannes Brahms, who, however, did not disdain to be attached to their compositions metronome markings.
In the interpretation of music, then, if on one hand the number of metronome allows us to know exactly (or almost) the speed at which the composer has thought of a song, the other side tends to level out the differences and inhibit freedom creative interpreter. For another, it should be considered that the speed of execution of a piece should be related to too many situations (for example, in a room with a large reverberation must run slower times to avoid excessive dirt sound) that can not be summarized and standardized with a precise number and unchanging.
The Modern Metronome study, many instrumental teachers criticize the use of the metronome because it easily leads to a mechanistic study, repetitive, not based on self-listening and uncreative. Also, since a lot of music requires a different articulation of the rhythmic. Many teachers and performers the study found a metronome counterproductive and harmful.
The metronome is started as a tool for measuring the rhythmic pulse and, of course, continues to be. However, the ticking has been used several times as a musical instrument. However there have been other uses of the famous metronome to create a slight ticking and continuous, without the use of percussion instruments, as for example in “Distractions” (Flowers in the Dirt) of Paul McCartney (1989), where McCartney, following the regular rhythm of the metronome, performed a rhythm track by hitting various parts of his body, or in the farewell theme of Cheyenne, from the soundtrack of Once Upon a Time in the West Ennio Morricone, where the ticking is deliberately slowed down and distorted in order to obtain the dramatic effect you want.
The mechanical metronome is based on the third law pendular oscillation: it is constituted by a sort of inverted pendulum, with a dipstick frequencies between 40 and 208 per minute and a weight, said lens, which can move along this’ auction selecting the beats per minute, calls, in the common practice of music, numbers metronome.
In addition to the traditional mechanical metronome above, the advent of electronics and information technology has led to countless different types of metronome.
Online Metronome can be used over the web. The metronome online are software programs, used as a utility functions in music programs, especially programs sequencer or hard disk recording.